Playboy: Much of the controversy surrounding 2001 deals with the meaning of the metaphysical symbols that abound in the film—the polished black monoliths, the orbital conjunction of Earth, Moon and Sun at each stage of the monoliths’ intervention in human destiny, the stunning final kaleidoscopic maelstrom of time and space that engulfs the surviving astronaut and […]
Philosophers have often ruminated on the aesthetics of photography. Roland Barthes’ Camera Lucida begins with a poignant memorialization of his mother, as remembered through her photograph. Pierre Bourdieu’s Photography: A Middle-Brow Art wondered why and how the medium became so widespread that “there are few households, at least in towns, which do not possess a camera.” And […]
Released the day after Christmas, 1973, “The Exorcist” was an immediate sensation. In its first few weeks in theaters, stories abounded of viewers fainting, becoming nauseous or leaving the theater in tears. One man who passed out from fright and hit his head actually sued Warner Brothers, the studio that released the film. Warner’s could […]
Forty-five years ago, on March 11th, 1971, the Allman Brothers Band took the stage at Bill Graham’s vaunted Fillmore East Theater in New York for the first of a series of shows that are among the most celebrated in rock history. The Allmans weren’t even supposed to be the headliners. The posters Graham had printed up read: “Johnny Winter […]
When the writers (and future film makers) of the influential French film journal Cahiers du Cinema formulated what became known as “the auteur theory” in the late 1950s and early 60s, it caused a lot of controversy in cinematic circles. Simply put, it stated that the director was the prime mover, the “author” of the […]