A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure
The purpose of this essay is to offer a Deleuzian time-image analysis of Tarkovsky’s montage theory of “time-pressure,” foregrounded against the historical backdrop of Eisenstein’s montage of attractions. Several films from Tarkovsky’s later work will be examined for montage elements that support or contravene these theories. The history of the post-Revolution USSR can be broken […]