Zbigniew Preisner Reflects on Music for Films, and for Kieślowski Films
One challenge: ‘It is not possible to talk about music. It’s metaphysics.’ This week’s special opportunity to revisit Krzysztof Kieślowski’s Dekalog also brings an opportunity for a chat with one of the late director’s most frequent and distinguished collaborators, composer Zbigniew Preisner. They first worked together in 1985 on No End, a brutally intimate film about—to boil it down, rather unfairly—loss. […]