Named by the British Film Institute as one of the fifty greatest movies of all time, Andrei Tarkovsky’s 1979 science fiction masterpiece called Stalker is, among many other things, a one-of-a-kind filmwatching experience. Enough ink has already been spilt here on C&B on the importance of Tarkovsky for the European and world cinema, as well […]
Unlike hefty amount of authors on whom it is relatively easy to debate rationally – meaning, empirically justifies – Tarkovsky is a cineast that does not bear many words, who is resisting all judgment, who demands a metaphor in order to explain the world in which he spiritually exists, that simply expects a certain spiritual, cognitive […]
