Late in his illuminating and useful examination of Ludwig Wittgenstein’s Tractatus Logico-Philosophicus, Benjamin Ware quotes Wittgenstein’s assessment of the Viennese house the philosopher designed and built for his sister in 1940, by many lights a modernist masterpiece that Wittgenstein himself deems “the product of a decidedly sensitive ear and good manners, an expression of great understanding […]
“A Serbian Film” by Srđan Spasojević: An Analysis of Transgression and Postmodern Ethics. Toward Understanding the Film as a Mirror of the Collective Unconscious. “People don’t want the truth. They want something they can’t look away from.” Vukmir • Why return to analyzing A Serbian Film sixteen years after its release? Precisely because time has […]
The Polish-French filmmaker Roman Polanski (Paris, 1933), a highly controversial figure privately—having been a fugitive from U.S. justice for nearly half a century due to the rape of a minor, and a person whose name is linked to several other potential cases of sexual violence—is among the most talented film creators of the second half […]
I Birth as an act represents the beginning of the tragedy of the individual (the person), the dawn of his suffering in a closed metaphorical, yet realistically palpable circle of the absurdity of everyday life, on the axis of the meaninglessness of existence. It is – as a beginning – consequently caused either by mere […]