Released the day after Christmas, 1973, “The Exorcist” was an immediate sensation. In its first few weeks in theaters, stories abounded of viewers fainting, becoming nauseous or leaving the theater in tears. One man who passed out from fright and hit his head actually sued Warner Brothers, the studio that released the film. Warner’s could […]
When the writers (and future film makers) of the influential French film journal Cahiers du Cinema formulated what became known as “the auteur theory” in the late 1950s and early 60s, it caused a lot of controversy in cinematic circles. Simply put, it stated that the director was the prime mover, the “author” of the […]
Mr. Jarmusch, you’ve lived in New York for over 40 years. Do you consider yourself a New Yorker? I have lived there for so long, but I am not a New Yorker. Originally I am from Akron, Ohio, which borders Michigan. Whenever anyone says I’m a New Yorker, I cringe. I’ve also lived in Berlin. […]
At no point preceding my viewing of Blade Runner 2049 did I understand the reason anybody would make a Blade Runner sequel. My perspective, after viewing, remains unchanged. Blade Runner does not have a good story. It barely has a story. It’s a cinematic poem, a mood piece, an aesthetic. Poetry can have a story, of course; poems can have […]
Next year will be the 50th Anniversary of one of the greatest films ever to be put on the silver screen, Stanley Kubrick’s 2001: A Space Odyssey. Made in 1968, Kubrick’s tour de force is an iconic piece of modern media art, with its immeasurable influence still being felt on contemporary directors and filmmaking ideologies […]
We have seen things you people wouldn’t believe. A cult classic have its reputation re-evaluated and restored by a series of fan-fueled screenings long after it was unceremoniously “retired” from a theatrical run. A film with no less than six different cuts in circulation. Critics declaring a sequel a masterpiece, while others say it’s “stylish but hollow.” The […]
These days, many people, particularly cinephiles, or simply just people with a special and more than fleeting and/or passing interest in cinema, may wonder, “Where should I begin in regards to watching great movies? Which are the key works of this medium and why? Why is it important that I watch movies that are mostly […]
David W. Griffith was the pioneering director who invented and introduced the original grammar of cinema as we know it today, but there are many who took the principles and developed them into an art form, and formed the grammar of cinema in different but influential ways. 1. Alfred Hitchcock It’s no wonder Alfred Hitchcock […]